Our British Academy-funded project asks the following questions: How should those effected by State violence and armed conflict record and collect their experiences to lend them effectively to future justice processes and future use? How are questions of inclusiveness, categorisation and material delimitations dealt with by established and emerging archives and documentation centres? How are these centres being used? This research draws upon the notion of ‘documentality’ in the philosophy of Ferraris (2013; also Bell, 2018), by which the social order is understood to be founded upon the ways in which human lives are inscribed materially and imaginatively, to study key centres of post-conflict documentation in Argentina, Chile and Colombia. It investigates how their modes of recording attempt to lend order to the messiness of violence, and how documents are put to work within legal, cultural and aesthetic processes that place them within other forums, e.g. courts, websites and community spaces, with their distinct modes of display.
Website https://sites.gold.ac.uk/documenting-and-displaying-past-violence-project/
The Sigh of Sorrow and the Force of Art: On the Work of Erika Diettes
Archives of Violence: Case Studies from South America
Informe ‘Archivos de violencia: estudios de caso de América del Sur’

Dra. Vikki Bell

Dr. Jaime Hernández-García

Dra. Oriana Bernasconi

Cecilia Sosa

The Place of the Archive Conference

Memory, Justice, Archive: Interview with Gonzalo Sánchez Gómez

Reflexiones sobre el papel y futuro del Centro Nacional de Memoria Histórica

The Risk of Images, After All

The feminist call and the crying perpetrator: New encounters at ESMA Memory Museum
